The following is a direct copy and has been Pasted in for future reference from the Art of Photography coursework PDF Doc. (pasted in Maroon)
6 photographs
With several points the relationships are not so predictable. A group of objects implies a network of lines, and can also create a shape – again by implication. In still-life photography, one of the basic skills is to be able to group objects together in such a way that they are linked attractively, in a relationship that is active rather than obvious and static. This is essentially a problem of placing several points.
Set up your own still-life, with a background that is unfussy but not entirely plain. Use between six to 10 similar-sized objects, each compact in shape. You should fix the camera firmly in one position, aimed down at the background (ideally, use a tripod). The idea is to control the composition by rearrangement, not by changing the framing with the camera.
Begin by placing one object; make a record of this by taking a photograph. Then add the second, then the third, and so on; each time, take one photograph. The aim is to produce a final grouping, which is not so obvious as to be boring (avoid regular shapes), but which hangs together visually. The process will take some time, if you give it proper thought.
Consider each move and the effect that each new addition has on the overall grouping. You will almost certainly have to re-adjust objects that you have already placed, and may change your mind several times. This is perfectly normal in still-life photography.
When you have finished, you will have a blow-by-blow sequence of photographs that records your decisions. For the final photograph draw a sketch, indicating the ‘lines’ that relate the objects, and any basic shape or shapes that they form.
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Equipment
Nikon D4
24/70 f2.8 lens
Tripod
Speedlight 910 & softbox
Method
In this exercise I set the camera up on a tripod and used a speedlight and softbox to bring a little more character to the images. With the camera perched on the tripod and my points in the frame, I took a lightmeter reading adjusted the settings to suit and fired a few test shots. Happy with my picture colour and exposures I then put the camera into timer mode (2 seconds) and started to arrange the points to reflect upon this exercise.
Please see pictures and captions below, All pictures were taken with a 24/70 mm lens, aperture set to f20, speed 1 second, ISO 400.
Note – all pictures have been compressed hence there will be a quality reduction when enlarging.
What have I learnt from this exercise
From this exercise I have learnt that this looks easy but it is not and it takes time or as in my case I wanted to originally show this exercise by telling a story with a hand of cards from a poker game using up to nine dice as my shapes but after taking several pictures I was not happy with outcome as dice were too small in the frame. Eventually after my third attempt I decided upon fruit.
Thoughts and Reflection
This has been another exercise of learning for me, at first I read the coursework and thought is arranging really photography? Then as you play it out you realise that taking the picture is the easy part and arranging and almost directing your cast is where you need to really apply yourself and the skills from part one …. such as balance really come into play.